If you can identify the location in some other way - preferably by the owner's name or by the actual location - New York Customer's Home and Idaho Customer's Home - then you won't need numbers and the reader will immediately know which place you're talking about.Ī number doesn't give you information and the best thing you can do when you've got multiple locations is to find a few words that tell you where you are. Usually, I dislike number things and/or people, because when I read that sort of thing in a script, I find it hard to identify locations and people by number. ![]() Customer Home #1) just because you don't want to be specific for the sake of the post or if this is how you really want to describe the location. I have in between scenes in which something important happens at a third location and do not want - cannot use a series of shots, a montage, or similar devices.I don't know if you're using numbers, (i.e. HOTEL ISLAY - SMILEY'S ROOM - DAY - PRESENT I have in between scenes in which something important happens at a third location and do not want - cannot use a series of shots, a montage, or similar devices. Which of the loglines would be the best for this This is how they did it in the same script:Ģ-I have an MC who does his work in the gardens of different customers. I have established at the beginning the basic of the story, what happens where, but because of the time jumps, it must be clear to the reader in which time every scene takes place.Īs addition to this, can I write the country in which a scene takes place as a part of a slugline if you switch between two different countries(I want avoid using a super for this because it could lead up to an extra page of unnecessary text). Would PAST and PRESENT be accepted in a TV pilot (and other formats of scripts) or is there a better way to express that in a slugline? HOTEL ISLAY - SMILEY’S ROOM - DAY – PRESENT I wanted to avoid repeating that in the action line considering the limitations in the page count, which a TV script has and used something I found in Tinker Tailor Soldier Spy screenplay: 1-I have a TV pilot in which I switch back and forth between the past (middle ages) and present day.
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