It also proved to be a hit at the box office, earning $44.6 million based on an estimated budget of $25 million. Legendary critic Roger Ebert gave the film four out of four stars, and added it to his great movies list. Leonard Maltin gave the movie 1 and a half stars out of five stating that the film “wallows in excess and unpleasantness for nearly three hours, and offers no new insights except that crime doesn't pay.” Maltin later expressed surprise at Scarface's eventual status as a cult classic. Some critics were especially critical of the excess violence and language, which is probably what the movie is best known for nowadays. That doesn’t even account for some of the colorful terms and phrases characters come up with throughout the film.Īs much as Scarface is considered a classic in modern times, many critics were not too fond of the movie back in 1983. The F-word is spoken 207 times throughout Scarface, which is an average of 1.22 times every minute. Expect lots of bloody violence, drug use and copious amounts of swearing. While the version we got is R-rated, it is a very hard R. The original cut of Scarface was rated X by the MPAA, which would have pretty-much killed its chances of being shown in theaters. In that role, Toliver was in charge of recruiting key storytelling talent and discovering and acquiring new creative material and intellectual property aligned with Sony Pictures Animation’s vision including original concepts, books, comics, video games, shorts, websites, and toys, according to SPA.Just make sure you know what you’re getting in for. Prior to her current appointment, she was working as executive vice president of creative at Sony Pictures Animation (SPA). “An executive with exceptional passion for animation, Karen possesses a strong vision for the future of storytelling in the medium and we can’t wait to see it come to life.” “We are thrilled to welcome Karen to Netflix where she will be a key partner in creating our ambitious slate of animated feature films,” added Cobb. Storytelling in animation continues to evolve and expand, and I am excited to join the team at Netflix to continue breaking new ground,” Toliver said, according to Variety. The experience has been instrumental in shaping how I approach producing. “It has been an absolute dream working with Kristine Belson and her game-changing team at Sony Pictures Animation. In her new role, the former Sony Pictures Animation executive vice president will be responsible for two to three animated features annually and will work alongside fellow animation VP Gregg Taylor. She will begin her new role in March and report directly to Melissa Cobb, VP of the kids and family division. The film producer has now transitioned to become the vice president of animated film at Netflix, according to Variety. He learns,” the Los Angeles Times summarizes the short film. When it doesn’t quite go as planned, she turns to her father for help. Toliver is widely known for her work as lead producer on Matthew Cherry’s “Hair Love.” “In ‘Hair Love,’ a young girl named Zuri wakes up one morning and attempts to style her hair in a way befitting the special occasion she excitedly prepares to attend. Karen Rupert Toliver is an American film producer who has worked as an executive at Walt Disney Animation Studios, 20th Century Fox Animation, and Sony Pictures Animation.
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